Martin Hannett: Difference between revisions
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Martinwguy (talk | contribs) Created page with "According to a [https://boomkat.com/products/the-synth-and-electronic-recording-exchanges an album review on Boomkat], <BLOCKQUOTE> During the ‘70s, a young Hannett, obsesse..." |
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According to | According to [https://boomkat.com/products/the-synth-and-electronic-recording-exchanges the review on Boomkat] of a strange album | ||
''[[The Synth and Electronic Recording Exchanges]]'': | |||
<BLOCKQUOTE> | <BLOCKQUOTE> | ||
During the ‘70s, a young Hannett, obsessed with Delia’s work on the Doctor Who soundtrack, struck up a long-running dialogue, swapping their electronic experiments [by exchanging | During the ‘70s, a young Hannett, obsessed with Delia’s work on the Doctor Who soundtrack, struck up a long-running dialogue, swapping their electronic experiments [by exchanging tapes] with a mind to eventually releasing them one day. | ||
Sadly they both departed before this release was OKayed. | Sadly they both departed before this release was OKayed. | ||
</BLOCKQUOTE> | </BLOCKQUOTE> | ||
Revision as of 14:36, 10 November 2019
According to the review on Boomkat of a strange album The Synth and Electronic Recording Exchanges:
During the ‘70s, a young Hannett, obsessed with Delia’s work on the Doctor Who soundtrack, struck up a long-running dialogue, swapping their electronic experiments [by exchanging tapes] with a mind to eventually releasing them one day. Sadly they both departed before this release was OKayed.
The album is
supposedly a back and forth, one track from Delia then one by Martin, but the sequencing feels arbitrary and a bit of a mess, skipping from Hannett’s baroque twils to dark blasts of sci-fi analog electronics and back, over and again
Availability
- The tracks can be heard or bought on Boomkat
