Esperienze di Computer Music: Difference between revisions

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The pamphlet's author is [[Pietro Grossi]]<ref name=biog>[https://www.pietrogrossi.org/bibliografia Pietro Grossi's official bibliography]</ref> and it seems to refer to an event organized by Pietro Grossi of the ''Studio di Fonologia Musicale di Firenze'' and held at General Electric's plant in Pregnana Milanese, in which
The pamphlet's author is [[Pietro Grossi]]<ref name=biog>[https://www.pietrogrossi.org/bibliografia Pietro Grossi's official bibliography]</ref> and it seems to refer to an event organized by Pietro Grossi of the ''Studio di Fonologia Musicale di Firenze'' and held at General Electric's plant in Pregnana Milanese, in which
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A gigantic computer, by means of perforated cards, was made to play Paganini's ''Fifth Caprice'' and extracts of Bach's ''Musical Offering''.<ref>Translated from Tommaso Rosati's [https://www.tommasorosati.it/wp-content/uploads/2016/01/Storia4_ComputerMusic.pdf ''Computer Music: Storia 4'']</ref>, p.7.
A gigantic computer, by means of perforated cards, was made to play Paganini's ''Fifth Caprice'' and extracts of Bach's ''Musical Offering''.<ref>Translated from Tommaso Rosati's [https://www.tommasorosati.it/wp-content/uploads/2016/01/Storia4_ComputerMusic.pdf ''Computer Music: Storia 4''], p.7.</ref>
</BLOCKQUOTE>
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Latest revision as of 14:29, 24 January 2022

Among Delia's Attic Papers is a pamphlet Esperienze di Computer Music in Italian, dated January 1969.[1]

The pamphlet's author is Pietro Grossi[2] and it seems to refer to an event organized by Pietro Grossi of the Studio di Fonologia Musicale di Firenze and held at General Electric's plant in Pregnana Milanese, in which

A gigantic computer, by means of perforated cards, was made to play Paganini's Fifth Caprice and extracts of Bach's Musical Offering.[3]

Availability

References

  1. DD284: "Pamphlet, Esperienze di Computer Music, gennaio 1969 (Italian)" in the Initial Catalogue.
  2. 2.0 2.1 Pietro Grossi's official bibliography
  3. Translated from Tommaso Rosati's Computer Music: Storia 4, p.7.