Martinwguy at 15:23, 18 March 2020

2020-03-18T15:23:03Z

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	{{Thumb\|Traité des Objects Musicaux cover}}		{{Thumb\|Traité des Objects Musicaux cover}}

	[[Traité des Objects Musicaux]] (1966) is a book by Pierre Schaeffer, borrowed by Delia from the library at Broadcasting House on the 4th August 1967.<ref>[[DD080054]]: Library loan receipt for "Le traite des objets musicaux"</ref>		[[Traité des Objects Musicaux]] (1966) is a book by [[Pierre Schaeffer]], borrowed by Delia from the library at Broadcasting House on the 4th August 1967.<ref>[[DD080054]]: Library loan receipt for "Le traite des objets musicaux"</ref>

	=Summary=		=Summary=

Martinwguy at 13:09, 18 May 2017

2017-05-18T13:09:34Z

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	[[Category:Book]]		[[Category:Book]]
			[[Category:Influence]]

Martinwguy at 06:17, 12 January 2013

2013-01-12T06:17:24Z

New page

{{Thumb|Traité des Objects Musicaux cover}}

[[Traité des Objects Musicaux]] (1966) is a book by Pierre Schaeffer, borrowed by Delia from the library at Broadcasting House on the 4th August 1967.<ref>[[DD080054]]: Library loan receipt for "Le traite des objets musicaux"</ref>

=Summary=
<BLOCKQUOTE>
Dans ce volumineux ouvrage, Pierre Schaeffer développe sa théorie sur l'objet sonore. Elle est fondée sur deux idées principales, le Faire et l'Entendre. L'ouvrage explore les deux premiers niveaux de cette théorie : la typo-morphologie et la classification des sons. Pierre Schaeffer utilise différentes disciplines telles que l'acoustique, la sémiotique et les sciences cognitives afin de démontrer sa théorie de l'objet sonore appliquée en particulier à la musique concrète.<ref>[http://www.ears.dmu.ac.uk/spip.php?page=artBiblioLang&lang=fr&id_article=4082 ''Traité des Objets musicaux'' on Ears: ElectroAcoustic Resource Site.]</ref>
</BLOCKQUOTE>
or
<BLOCKQUOTE>
In this very complete essay, Pierre Schaeffer develops the main part of his new musical theory of the sound object. It is based on two principal ideas, making and listening, and explores the first two levels of this theory: typo-morphology and classification of sounds. He uses various disciplines such as acoustics, semiotics and cognitive science to demonstrate his explanation of sound and, in particular, the musical object within musique concrète.<ref>[http://www.ears.dmu.ac.uk/spip.php?article123 Reibel, Guy's ''Rôle du Traité des objets musicaux..."] (1976) at Ears: ElectroAcoustic Resource Site.</ref>
</BLOCKQUOTE>
and Guy Riebel says of this work:
<BLOCKQUOTE>
the most important of Schaeffer’s theories on perception [are] reduced/acousmatic listening, sound object characterisation and the role of tape recorder.<ref>[http://www.ears.dmu.ac.uk/spip.php?page=artBiblio&id_article=1206 Article at Ears]</ref>
</BLOCKQUOTE>

The bibliographic details are:
<PRE>
Pierre Schaeffer (1966).
Traité des objets musicaux (Treatise on Musical Objects).
Paris, France: Le Seuil.
ISBN 978-2-02-002608-6<ref>[http://en.wikipedia.org/wiki/Pierre_Schaeffer#Further_Reading Pierre Schaeffer on Wikipedia: Further reading]</ref>
</PRE>
and it appears to have been reprinted in 1977.

=Availability=
* [http://www.amazon.fr/Trait%C3%A9-objets-musicaux-Pierre-Schaeffer/dp/2020026082 ''Traité des objets musicaux'' on Amazon.com]

=See also=
* [http://www.ina.fr/fresques/artsonores/fiche-media/InaGrm00204/traite-des-objets-musicaux.html Pierre Schaeffer commente la parution du Traité des Objets musicaux], 1 Janvier 1967, video.

=References=
<references/>

[[Category:Book]]

Traité des Objects Musicaux - Revision history

Martinwguy at 15:23, 18 March 2020

Martinwguy at 13:09, 18 May 2017

Martinwguy at 06:17, 12 January 2013