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	<title>Concrete Mixers - Revision history</title>
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	<updated>2026-05-06T17:14:57Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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		<id>http://wikidelia.net/index.php?title=Concrete_Mixers&amp;diff=7582&amp;oldid=prev</id>
		<title>Martinwguy: Created page with &quot;Concrete Mixers is an article by Darren Giddings telling &quot;the story of the BBC Radiophonic Workshop&quot;.&lt;ref name=mb21&gt;[http://www.mb21.co.uk/ether.net/radiophonics/mixers.sh...&quot;</title>
		<link rel="alternate" type="text/html" href="http://wikidelia.net/index.php?title=Concrete_Mixers&amp;diff=7582&amp;oldid=prev"/>
		<updated>2014-07-08T12:12:29Z</updated>

		<summary type="html">&lt;p&gt;Created page with &amp;quot;&lt;a href=&quot;/wiki/Concrete_Mixers&quot; title=&quot;Concrete Mixers&quot;&gt;Concrete Mixers&lt;/a&gt; is an article by Darren Giddings telling &amp;quot;the story of the BBC Radiophonic Workshop&amp;quot;.&amp;lt;ref name=mb21&amp;gt;[http://www.mb21.co.uk/ether.net/radiophonics/mixers.sh...&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;[[Concrete Mixers]] is an article by Darren Giddings telling &amp;quot;the story of the BBC Radiophonic Workshop&amp;quot;.&amp;lt;ref name=mb21&amp;gt;[http://www.mb21.co.uk/ether.net/radiophonics/mixers.shtml &amp;#039;&amp;#039;Concrete Mixers: The Story of the BBC Radiophonic workshop&amp;#039;&amp;#039;] on mb21.co.uk&amp;lt;/ref&amp;gt;&lt;br /&gt;
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=Extracts=&lt;br /&gt;
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In 1963 Derbyshire realised a musical score by composer Ron Grainer - possibly the first time a written score had been realised in this way.&lt;br /&gt;
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Delia Derbyshire once spoke (in a 1979 radio documentary on the Workshop) of the antiquated chaos and DIY bodge-jobs that was the Workshop&amp;#039;s equipment base in the 1960s, and how enormously long tape loops could frequentlybe seen trailing out into the corridor.&lt;br /&gt;
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Derbyshire and Hodgson also became involved in crossover projects with the newly emerging world of progressive rock, forming in 1969 &amp;#039;White Noise&amp;#039; with David Vorhaus. This resulted in an eccentric LP, &amp;#039;An Electric Storm&amp;#039; which was issued by Island records.&lt;br /&gt;
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As the 60s became the 70s, the Workshop began to take advantage of the recently developed synthesiser. [...] it made work easier and quicker, but [...] the early synths were quite limited and had a very soul-less sound that makes much of the work of the period sound disappointingly corny.&lt;br /&gt;
Even Delia Derbyshire expressed reservations about the flexibility and speed of synthesizer work, preferring to &amp;#039;&amp;lt;I&amp;gt;get inside somewhere and make it do a more human sound than it does&amp;lt;/I&amp;gt;&amp;#039;.&lt;br /&gt;
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=References=&lt;br /&gt;
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[[Category:Article]]&lt;/div&gt;</summary>
		<author><name>Martinwguy</name></author>
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